Ikigai: A reason for being

“My family’s Ikigai is now Dad, to continue the legacy he has left us with, the family,” explains Jun Sawa.

Legacy and Heritage

For Jun, the flexibility provided by ANZ has allowed him to carry on his late father’s legacy – both through their shared passion for photography and also through rediscovering his Japanese heritage.

After the devastating loss of his father after an 18 month struggle with multiple myeloma – a cancer of the plasma cells in bone marrow - Jun utilised three weeks of annual leave at work to accompany his mother back to their home country of Japan late last year.

“We essentially were on a journey that Dad wanted to go on but didn’t get the chance.” Jun says.

“Dad had mapped out a couple of places he and Mum wanted to go, so Mum took on that mantle. It was for us to carry on the legacy of what Dad wanted – in terms of travelling and exploring but also documenting Japan in a photographic sense. Dad was also a photographer and had quite a few exhibitions titled “Japan Diary” which was a look at traditional Japan venturing the Tokkaido road.

Passion project

This extraordinary talent for photography has evidently been passed down through the generations. Jun’s older brother Isamu has built a successful career as a commercial photographer with his photographic works exhibited at a number of shows, including one with their late father.

Jun’s work - which spans still photography, time-lapses, hyper-lapses and more recently a foray into video – is polished as well as deeply moving, introspective and reflective. And he does it all while holding a full-time job at ANZ.

Rejuvenation

When asked what he would do if he could take more paid annual leave he’s clear: “I always look to do work on projects for myself around rejuvenation and for purpose – that is, me taking time out. One of the projects is around nature.”

His future project is imbued with a spirit of ikigai.

"That’s not just rejuvenating my body but also exploring the Bunyip State Forest after the recent bush fires,” he says.

“I want to go in there and photographically document the rejuvenation period from a fire – all the trees and plants – it’s a living kind of thing, right? It goes from darkness, and then rejuvenates again.”

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